Apple Event Tomorrow
Apple has announced its next Apple Event, scheduled for Tuesday October 13th at 1:00 PM Eastern—that’s tomorrow! It also has some fun AR functions if you take a look at the announcement with your smart phone.
I’ve got time blocked out to enjoy the keynote which is rumored to focus on the new iPhone 12 release later this month. Other items speculated to be included are the new AirPods Studio (headphones rumored to be their highest-end product with noise-cancelling and worn over the ear), possibly a new HomePod, and the new AirTags (their Bluetooth tracking devices similar to the Tile product).
While I’m due for an iPhone upgrade and excited to hear the latest in hardware, these other products are equally exciting. I have a ton of equipment in my Gear Cage that I would love to have tracked with the AirTags, and have been considering finally purchasing some noise-cancelling headphones especially to be used while flying (you know, when we can do that safely again). We’ve also dipped our toe into the Echo scene, and having something in the Apple ecosystem would be something I’d definitely give a good luck before continuing to outfit our home with more smart technology.
University of Tennessee Percussion Night: Duos
Tomorrow night my students at the University of Tennessee will be presenting their work in the Fall 2017 Percussion Studio Night (Facebook event info) at 8 PM in the Sandra G. Powell Recital Hall. Join us!
The Studio Recital, as an event, has proven to be a very worthwhile curricular tool and is one of the requirements I used to ultimately replace juries in our program. I love that the Studio Recital puts them on stage, in concert dress, under the lights, in a "real" performance environment which also includes a live audience (few of these parameters are provided in most jury performance environments). Additionally, afterward, they walk away with a program for use in their records as well as a quality live recording (audio + video) which they can also add to their portfolio.
Pedagogically, it has also offered valuable performance experience for younger players. While I believe it to be common for students to perform for each other in studio class and similar formats, students often don't receive much solo performance time with the realities of a recital as outlined above (under the lights, live general audience, etc). Having them step on stage with only one piece to conquer for that evening seems like a very achievable task, setting them up for success their junior year when they have to walk out and hold the stage for an hour. By that time they will have had at least 4 of these studio recital performances under their belt, if not more.
I remember the opening notes of my junior recital and how much my mind was racing. Looking into the crowd and seeing friends from so many different parts of my life in one room was equally heartwarming and confusing. I remember thinking things like "Why is my uncle sitting next to my friend from high school? Do they know each other?" Meanwhile, I'm stepping up to the marimba to play some very soft Keiko Abe notes to open the show, which... let's just say didn't feel particularly controlled that night. I'm hoping the Studio Recital gives the students a bit more of a footing when they step on stage for their own recitals as they get to the end of their degree programs, having had a few swings at the plate prior to that night.
This semester, the Percussion Night event has a theme of "Duos." For me, this is a performance combination that often gets missed as our percussion ensemble will usually focus on works for 3 or more players. There is some fantastic repertoire out there to be explored for duos and I'm excited to hear the wide variety of performances tomorrow evening. The inspiration also came from the Wagner-esque event we had last semester as all of the solos had us there for way too long...
For those in the Knoxville-area, please consider stopping by to hear some of this great repertoire tomorrow including Seeds by Leonardo Gorosito/Rafael Alberto, Wooden Music by Rich O'Meara, Catching Shadows by Ivan Trevino, Table Talk by Alyssa Weinberg, Dance Groove Drifting (from Book of Grooves) by Alejandro Viñao, Passacaglia by Anna Ignatowicz, and Karakurenai by Andy Akiho. In addition, the UT graduate students will be performing Zyklus by Karlheinz Stockhausen, ...And Points North by Stuart Saunders Smith, and a world premiere commission for cello + percussion by Tyler Eschendal.
Finally, a big thank you to Abby Fisher who has been doing an incredible job running the program this semester while I'm away on paternity leave!